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Tamia Valmont, singer, composer

Tamia Valmont

Website Credits


 

Her first audience

Webmaster : Florent Burgevin (www.florentburgevin.com)
Concept : Tamia Valmont
Editing assistants : Diego Olivares, Aude-Isabelle Toupance
Painting : Julieth Mars Toussaint (detail from « Déjeuner sur l'herbe »)
(http://juliethmarstoussaint.com/)
Photos : Emanuel AMMON, Josef JUTZ, Guy LE QUERREC, Philippe LÉVY, Germaine LOT, Roberto MASOTTI, Anne NORDMANN, Rosine NUSIMOVICI, Geneviève ROY

Warmest thanks for their kind authorization to photographers, painter and newspapers Art Press, Die Weltwoche and Le Monde.

Translation : Kayla ALBARADO (Word-Connection), Sophie DUBUS, Jean-Baptiste FLAMIN, Nelly GANANCIA, Jane MAC GILLIVRAY, Paola MIGLIETTI, Christine PIOT, Spasa RATKOVIC, Eric ROSENCRANTZ, Simon THURSTON, Pascale VOILEY, Michel VOLKOVITCH, Ralph GOODRIDGE

Sound engineer : François PAILLET Capitaine Fracasse

 

Warmest thanks to Mireille BOULANGER, Nicolas COURTIER, Hélène DUPIN, Eliane BROUTIN, Paule LALOUM, Frédérique MARTIN, Delphine SIQUIER, Camille LETELLIER, Camille MOUSSARD-DUPIN, Anne FRAYSSE.

Romain Cruzilles and Nicolas Jonnard for their welcome at "Le Flore en l'Ile" where I have so often worked on this album.

Special thanks to Diego Olivares for his help.

 

  

"Unlimited Colors" Credits


  

Compositions by Tamia Valmont
All voices and instruments (via ProTools) performed by Tamia Valmont
Sound engineer, mixing and mastering by Valentin Chancelle

"Rebirth" recorded by Alain Cluzeau at Acousti studio

"Unlimited Colors“: Excerpts from Tamia's album “Senza tempo” 1982 integrated into this piece.

"Beyond" has been recorded by Tamia during the lockdown (sorry for the background noise)
Cover photography by Rémy Poncet
Produced by EOLICO 2022.

 

Warmest thanks :

Hélène Dupin, Eliane Broutin, Paule Laloum, Frédérique Martin, Delphine Siquier. My profound gratitude to Valentin Chancelle for his professionalism and patience. Romain Cruzilles and Nicolas Jonnard for their welcome at "Le Flore en l'Ile" where I have so often worked on this album.